"π...π" is the album with the most history out of the saga of three and actually contains the oldest compositions. These compositions were originally made for a band of the same name which I formed with some friends back around 2010. The band lasted a couple of years but eventually desintegrated leaving nothing but a demo behind. The fact that we never properly recorded the songs was really bugging me because I worked really hard making them, and the concept was very interesting and different. So I decided to release the songs under VAOR, with some changes of course. Musically I focused on using a lot of counterpoint, to make different melodies mingle together in complex ways. The original band had two guitars and two bass guitars, with programmed drums. Most of the composition was made by me, but the other members (Xefys, Ϙ, Igorgayov) made some of the riffs. When I decided to release the album under VAOR I saw an opportunity for a concept that fit in with my other releases. "π...π" is a 100% synthetic album, as in all the elements were produced by a computer, absolutely nothing was recorded. I even made sure to only use synthetic drum samples. This album is a demonstration that computers can play music with emotion, that they can transmit anything that you put into them. The number or concept of "π" was a great inspiration for me in creating this music. It is something that we don't really understand because of it's complexity, yet it is something that guides some very common themes in nature. The title "π...π" is something that is impossible, or at least we could never undertand, basically infinity after infinity. The story that the album tells is this:

"In SECTOR 03C3 of ZPHOTM REALM, two alien scientists managed to create two robotic beings that were constructed synthetically in a lab, yet were sentient beings capable of emotion and dreams. The two robotic beings eventually realized that they will never be acknowledged as a new species and will never set foot out of that lab in which they were created. They devise a plan to escape and release the need for vengeance they lived with. By this point they had become more advanced than their captors and were extremely dangerous and unpredictable. The vengeance they unleashed was truly apocalyptic. It resulted in the extermination of millions of species unique to that small planet. Only 0.00314159265% of the planet's species survived. The synthetic life forms that caused the event were part of that percentage. They abandoned the planet after the extermination and never looked back. They ended up wandering into a small blue planet in a far away spiral galaxy. It reminded them, (especially in the polar regions), of their home, the only one they ever knew; the lab. Upon arriving on that planet they spotted a mild hurdle in their way. A strange bony species clamoring around consuming everything in their path. The synthetic life forms decide to exterminate just the problematic species, a measured and planned hit. The method they chose to do the job was due to something that was so incredibly unlikely that it can only be described as a miracle. While constructing their plan in the planet's Southern Pole, the synth beings encounter two members of another survivor species from their planet. It was the two alien scientists who created them. Understanding in that moment that they could start a new life together from 0 and reap the benefits, they forge a pact to exterminate the plague species and dominate the planet together. It is the scientists who find a revolutionary method. Using sound as a mind control device to render the species to it's knees and acknowledge it's place in the universal hierarchy. The experiment resulted in a 3.14% success rate across the multiverse.

"π...π" the album is about one of those successful results. The scientists devise a medium for their mind-control sound waves that works to perfection. The frequencies they needed to use are very powerful and if used alone they cause mass destruction. The medium they decided to use is music. The listeners willingly subject themselves to the mind-bending treatment the injected sound waves gives them. The mind control is very subtle; the species instantly understands it's place in the entire multiverse and is left with an individual piece of wisdom channeled to them from the great sentient robot beings and thus experience an ascension into a wider perspective. This the music they used in that experiment. "